![]() Play the transition and see the results of your work. To fix this, twirl down Transition B, select Flop in the Layers panel, then choose Vertical from Inspector > Filters > Flop.However, as it does so, the second image ends up upside-down. The transition now rotates on the X-axis. This is the control that is published to Final Cut which allows us to change the direction of the Flip from the FCP X Inspector. Go to Inspector > Behaviors > Ramp X, Control-click the downward-pointing arrow to the right of End Value and choose Remove from Widget Direction.Since this is a copy, nothing you do to this will affect the original effect. However, you are free to play as much as you want. So, let’s try something simpler – rather than have it rotate around the Y-axis, we’ll have it rotate around the X-axis. That would, perhaps, be a bit excessive for this tutorial. As I was practicing for this tutorial, I created a 75 step animation. There is an almost unlimited number of things we could do to the transition itself. There’s no “right” answer, just drag this until the background has “presence,” but doesn’t overpower the foreground clips. Drag the bottom white slider to the left to darken the image… a lot.Select the Background group and apply Filters > Color > Levels. However, like many Apple backgrounds, it is way too bright.The goal with this effect is to make sure that in the brief time the background is visible it is obviously moving. NOTE: You will need to increase the Zoom slider. ![]() Unlike video, backgrounds can be stretched in all kinds of weird ways. Using the HUD, stretch the Grow/Shrink settings so that the image stretches vertically. ![]() NOTE: When dealing with backgrounds, it is often easier to apply effects to the containing group than the background element itself because many animated backgrounds are multi-component particle systems.
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